after Abu Bakr Sadiq
summer drapes juniper-purple sunsetswith hypnotic stripes of gold latched to the bottomless sweep of sky. so much has happened around here. now it’s too late to smuggle my people’s dead
bodies from the chokehold of death and bestow them a spare life. after a quiet walk through a deserted neighborhood we turned a corner, on our right was a dead land with the crumbled
charred remains of a tiny village. tuft of blackened roofless walls sprouting here and there like scattered toys among the rocks. beyond the bullet-scarred walls was a vast span of sky swathed
in smothers of red and purple, heaven-kissing mountains like jagged teeth and a relic of what would have been a pomegranate tree—we’d climb it, straddle at its branches, our naked feet
dangling, drapped sunlight flickering through the leaves and casting on our faces, a mosaic of light and shadows. somewhere over those mountains slept the city that might as well be in
another galaxy to people sleeping on the opposite ends of history where nothing grows but death. somewhere over there a man from my dreams had died a needless death. ummi tells me that the
silhouette fastened to a leafless branch of the wilted lifeless tree, the dried bloodstain i had seen strewn across the bullet-scarred walls came from the bodies i had run kites with over these
lands. by which she means, the lives of my friends had drifted from them like windblown kites we’d chased. by which she means,she might be dead before nightfall and the boredom of the day
will be broken. i confess, i am a lone body sliding down a steep cliff, clutching at shrubs and tangles of branches and coming up empty-handed. homecoming was like bumping into an old,
forgotten friend and seeing that life hasn’t been so kind to him. i scroll through my Twitter feed & my people are being killed again. on the news on tv, my people tried cascading themselves into
God’s hands but the bullets outpaced them. tell me, how pious does one have to be to end up having one’s prayers bitten by bullets? perhaps if it’d been otherwise, the trees would still be
here, blooming. and not wilting as they bloom. and the houses too, breathing and bubbling with laughter. maybe i won’t be here in this city where every/body is an hourglass sinking into graves.
i wish i don’t have to empty every bit of their deaths into poems and bury them between every line, rhythm and metre. this is to say i have become an author of grief
i paused
a trio of crows exchange a few caws
in the distance—underneath the bony glow of a half-moon in a starless night seeking new ways to spread itself above land—the muezzin calls for Maghrib
Judge’s Comment
This is a masterfully executed poem, with very deeply symbolic images. This poem has several layers of meaning that ought to be delicately distilled.
Mahbubat Salahudeen
Mahbubat K. Salahudeen is a Poet, Essayist, Sports Journalist and a Student of Communication and Language Arts in University of Ibadan, Oyo State, Nigeria; her works have featured on Brittle Paper, Gutter Review, Northern Otter Press, Pepper Coast Lit, Ake Review, Poets In Nigeria amongst others. She came first runner-up in the Nigeria Students Poetry Prize in 2022 and she won the Girl Up Sports Scholarship Fund in 2021 and 2023 respectively. She currently works as a Sport presenter and Script Writer at Insight Radio and she tweets Sports at @SMahbubat.